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Information
While information science draws distinctions between 'information', signals and data, artists from the 1960s to the present have questioned the validity and value of such boundaries.Artists have investigated information's materiality, in signs, records and traces; its immateriality, in hidden codes, structures and flows; its embodiment, in instructions, social interaction and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation, examining landmark exhibitions and re-examining work by artists of the 1960s to early 1980s, from Les Levine and N.E.Thing Co. to General Idea and Jenny Holzer.David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. Writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil.
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Ontological Information: Information In The Physical World
This book is about the nature of information. It touches on many core issues of philosophy of the mind, ontology, and epistemology, and draws in several domain-specific concepts from physics, mathematics, thermodynamics, computer science, and biology.The terms used in this book, such as the mind, a conscious agent, meaning, and knowledge are used with very precise meanings because they can be easily misinterpreted.A proper understanding of these terms can be gained from the referenced literature.But more specifically, this book is about the concept of information as physical phenomenon.The book is a unique exposition of the concept of information as physical phenomenon.It provides the detailed analysis and synthesis of the current conceptualizations of information demonstrating the lack of common definition and their incompleteness.The detailed argument is provided why information may be defined as a physical phenomenon and why this type of information may be seen as fundamental to our understanding of this concept.
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The Information
Once close friends, writers Gwyn Barry and Richard Tull now find themselves in fierce competition. While Tull has spiralled into a mire of literary obscurity and belletristic odd jobs, Barry’s atrocious attempts at novels have brought him untold success.Prizes, prestige and wealth abound, and from far below Tull can only watch, stewing in torment. Until, that is, resentment turns to revenge. Consumed by the question of how one writer can really hurt another, Tull’s quest for an answer will unleash increasingly violent urges on both writers’ lives. ‘A funny, vicious portrait of literary London’ Evening Standard
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Information Overload
Ah, PLANET's latest offering, "Information Overload," is a wild rollercoaster ride through the twisted mind of this electronic music genius. From the moment you hit play, you're catapulted into a frenzy of glitchy beats, psychedelic synths, and mind-bending samples. The opening track, "Binary Brainwaves," sets the tone perfectly with its pulsating rhythms and otherworldly melodies. It's like being sucked into a vortex of sound and spat out into a parallel universe where robots rule the dance floor. Throughout the album, PLANET showcases his unparalleled production skills, effortlessly blending genres and styles to create a truly unique sonic experience. Tracks like "Data Delirium" and "Circuit Breakdown" are masterclasses in electronic music wizardry, with each layer meticulously crafted to perfection. But it's not all about the beats and bleeps – PLANET also throws in some unexpected curveballs, like the dreamy ballad "Digital Dreams" and the haunting ambient soundscape of "Ghost in the Machine." These moments of respite only serve to enhance the album's overall impact, leaving you craving more. In conclusion, "Information Overload" is a mind-bending journey into the heart of electronic music, and a testament to PLANET's boundless creativity. Strap yourself in, turn up the volume, and prepare to have your brain scrambled – in the best possible way.
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Why is multiple encoding useful in neural information transmission?
Multiple encoding is useful in neural information transmission because it allows for redundancy and robustness in the communication of information. By encoding information in multiple ways, the brain can ensure that the message is more likely to be accurately transmitted and received, even in the presence of noise or interference. Additionally, multiple encoding can allow for more efficient and flexible processing of information, as different neural pathways can be activated to represent the same information in different contexts. Overall, multiple encoding enhances the reliability and adaptability of neural information transmission.
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Can someone explain the encoding of information in nerve cells to me?
Sure! The encoding of information in nerve cells, or neurons, involves the transmission of electrical signals called action potentials. When a neuron receives a stimulus, it generates an action potential that travels down its axon to communicate with other neurons. The strength and frequency of these action potentials encode the intensity and timing of the stimulus. Additionally, the pattern of connections between neurons and the release of neurotransmitters at synapses also play a role in encoding and processing information in the nervous system.
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How can you change the video format in the video editing program Lightworks?
In Lightworks, you can change the video format by using the export feature. First, import the video into the program and make any necessary edits. Then, go to the export tab and select the desired video format from the list of available options. You can also customize the resolution, frame rate, and other settings before exporting the video in the new format. Finally, save the changes and export the video in the new format.
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What is video encoding and video decoding?
Video encoding is the process of converting a video file from one format to another, typically to reduce its file size or to make it compatible with a specific device or platform. This process involves compressing the video data using various algorithms to maintain visual quality while reducing the file size. Video decoding, on the other hand, is the process of converting a compressed video file back to its original format so that it can be viewed or played on a device. Decoding involves decompressing the video data and reconstructing the original video frames for playback. Both encoding and decoding are essential processes for video streaming, storage, and playback.
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Inspiration Information
Shuggie Otis' "Inspiration Information" is a delightful musical journey that takes listeners on a whimsical ride through the groovy depths of funk and soul. From the moment you press play, you are transported to a psychedelic wonderland where Otis' smooth vocals and funky guitar riffs reign supreme. Each track is a carefully crafted masterpiece, blending elements of blues, jazz, and rock into a unique and mesmerising sound. Otis' musical talent shines through on every song, with intricate arrangements and infectious melodies that will have you bopping along in no time. The album's title track, "Inspiration Information," is a standout with its dreamy vibe and soulful lyrics that speak straight to the heart. One of the highlights of the album is "Strawberry Letter 23," a funky gem that is guaranteed to get your toes tapping and hips swaying. Otis' soulful voice soars over a funky bassline and infectious groove, creating a toe-tapping anthem that will have you hitting repeat again and again. Overall, "Inspiration Information" is a timeless classic that showcases Shuggie Otis' incredible talent and musical genius. It's the kind of album that you'll want to listen to on repeat, savoring every note and groove. So sit back, relax, and let Shuggie Otis take you on a musical journey you won't soon forget.
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Information Graphics
“If you can’t explain it simply, you don’t understand it well enough.” —Albert Einstein Our everyday lives are filled with a massive flow of information that we must interpret in order to understand the world we live in.Considering the complex variety of data floating around us, sometimes the best—or even only—way to communicate is visually.This unique book presents a fascinating perspective on the subject, highlighting the work of the masters of the profession, creators of breakthroughs that have changed the way we communicate.Information Graphics has been conceived and designed not just for graphics professionals, but for anyone interested in the history and practice of communicating visually. The in-depth introductory section, illustrated with over 60 images (each accompanied by an explanatory caption), features essays by Sandra Rendgen, Paolo Ciuccarelli, Richard Saul Wurman, and Simon Rogers.Looking back all the way to primitive cave paintings as a means of communication, this section gives readers an excellent overview of the subject.The second part of the book is entirely dedicated to contemporary works by today’s most renowned professionals, presenting 200 graphics projects, with over 400 examples—each with a fact sheet and an explanation of methods and objectives—divided into chapters by the topics Location, Time, Category, and Hierarchy. Includes: 200 projects and over 400 examples of contemporary information graphics from all over the world—ranging from journalism to art, government, education, business and much more Four essays about the development of information graphics since its beginnings
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Information
This book provides a comprehensive, easy-to-understand introductory guide to information, offering students the critical tools they need to shift their positioning from consumers and users to creators and critics. Searching, accessing, and using information are central to most daily lives.Yet, many users are not able to define what information is, identify who controls information, and create information to achieve a common good.In this book, Micky Lee teaches readers to critically interrogate key issues such as the categorization of information and knowledge throughout history, what digital divides are, why information is gender and race biased, how governments and corporations control citizens and consumers, as well as how we can resist unbalanced power relations.Readers will not only be able to relate these issues to "old" technologies, such as writing and printing, but will also be able to examine futurist technologies through the lenses of these enduring issues. A thoughtful and comprehensive overview, this is an ideal book for students and scholars of media studies, information and society, and communication and technology.
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Information
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Do you say "gathered information" or "found information"?
Both "gathered information" and "found information" are commonly used phrases, but they can have slightly different connotations. "Gathered information" implies a deliberate and systematic collection of data, while "found information" suggests a more incidental or accidental discovery. The choice between the two phrases depends on the context and the specific emphasis you want to convey.
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Is it said "gathered information" or "found information"?
Both phrases are commonly used and can be interchangeable depending on the context. "Gathered information" implies that the information was actively collected or assembled, while "found information" suggests that the information was discovered or came across. Ultimately, the choice between the two phrases depends on the specific circumstances and the tone you want to convey.
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Can you provide information about the soldiers in the video?
I'm sorry, I cannot provide specific information about the soldiers in the video as I do not have access to the content of the video. However, I can provide general information about soldiers and their roles in the military if you would like.
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Can you provide information about hackers and hacking in video games?
Hackers in video games are individuals who use unauthorized methods to gain an advantage or disrupt the gameplay experience for others. They may use cheats, exploits, or third-party software to manipulate the game in ways that give them an unfair advantage. Hacking can lead to a negative impact on the gaming community, as it can ruin the experience for other players and undermine the integrity of the game. Game developers often take measures to detect and prevent hacking, and may ban players who are found to be engaging in such activities.
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